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The Bulletin of the International Association for Robin Hood Studies is seeking submissions for future volumes. The Bulletin is the official journal of the International Association for Robin Hood Studies. It is a fully digital, open access, and double-blind peer reviewed journal and is actively indexed in the MLA International Bibliography. In keeping with the Robin Hood tradition, authors retain their rights to their own materials.

Articles are generally 4,000-8,000 words long. Please see the journal's website for additional submission guidelines.

We invite scholars to submit articles or essays detailing original research on any aspect of the Robin Hood tradition. Submission is via the web, and preliminary inquiries or questions may be directed to Valerie Johnson, (University of Montevallo) and Alexander Kaufman (Ball State University).






The Margaret Cavendish Society
The Margaret Cavendish Society will sponsor two panel sessions at the Renaissance Society of America Annual Meeting in Philadelphia (April 2-4, 2020). We invite proposals for presentations on any topic related to the works of Margaret Cavendish. Please submit abstracts (150 words maximum) and a brief CV to Lara Dodds and Brandie Siegfried by August 1, 2019.

























Jenny Diski: A Celebration
A Symposium, University of Oxford, 7th April 2020
Keynote Speaker: Blake Morrison

Jenny Diski sadly died in 2016, and the time is right for a celebration of her work.

Diski wrote in many genres, from novels and short stories, to memoirs, travel narratives, and books on human-animal relationships and the 1960s. She was also a prolific reviewer, who contributed regularly to the London Review of Books. Diski herself, though, refused to classify her writings: ‘Something about the distinction between being a fiction and a non-fiction writer distresses me’, she declared, ‘So I think of myself as a writer. Period’. And it is as a writer, first and foremost, that Diski is appreciated by her many admirers. No reader of hers can fail to be dazzled by her style, or struck by her formal playfulness and innovation.

Yet, perhaps owing to her refusal to be confined by boundaries, Diski has tended to slip under the radar, or between the gaps, in academic discussions. This symposium seeks to bring her to the fore by recognising that it is precisely her difference from what we might expect that makes her so exciting, and by drawing together the many aspects of her work. How, for instance, does Diski extend our understanding of life writing, autofiction, and travel literature? How does she explore the individual mind and social institutions? Is it right to think of her as a Jewish writer, and how does Jewishness figure in her work? What do we make of her provocative interrogations of gender and sexuality? It is hoped that by addressing questions such as these, with a close attention to literary form, this celebration of her work will help to place Diski where she belongs: as one of the most important writers of our time. Period.

We welcome papers on topics including, but by no means restricted to:
  • Diski as a Jewish writer.
  • Illness narratives and the cancer diary.
  • Family relationships.
  • Feminism and women’s writing.
  • Travel and travel literature.
  • London.
  • Formal innovation.
  • Humour.
  • Sexuality and the erotic.
  • Diski as a literary critic and a film critic.
  • Journalism.
  • Diski’s significance as a public intellectual.
  • Psychoanalysis and psychiatry.
  • Human-animal relationships.
  • Diski and her times.
  • Diski’s politics.
  • Diski and postmodernism.

Please submit a short abstract (200-300 words) for a 20 minute paper to Dr Ben Grant by 1st September 2019.














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Images of Queen Mary I in Literature and Writing
Edited by Valerie Schutte

I am seeking essay proposals for an edited volume focused on writings and literature about Queen Mary I. A few essays and book chapters exist on this subject, but there is no one volume that considers how Mary was written about in documents and letters as well as used in literature, from poetry to plays. While comparisons with her younger sister, Elizabeth, often yield fruitful results, this volume prefers essays focused solely on Mary so as to recover her from the shadows of Elizabeth and her reign. It is the purpose of this collection to present Mary in as many forms of writing as possible so as to offer a wide overview of her as queen, wife, and Tudor.

The collection will be submitted to the “Queenship and Power” series at Palgrave Macmillan, with planned publication for 2021. I will consider proposals from scholars at all stages of their careers, from graduate students to early career scholars to tenured faculty. 

Possible essay topics include:
  • Poems celebrating Mary’s birth or pregnanci
  • Accession literature
  • Written commemorations of her death
  • Mary as written about in letters, particularly by ambassadors
  • Contemporary literature
  • Mary’s reputation in Italy or at the Papal Court
  • Mary in Spain, as Queen of Spain and Naples, or as a queen consort
  • Catholic or Protestant remembrances of M
  • Mary as represented by later rulers
  • Bio-bibliographies or compendiums
  • Novels, plays, and historical fiction
  • Treatment in encyclopedias or the ODNB

Essays not on these topics will also be considered.

Chapter proposals should be 250-300 words, accompanied by a brief biography, for essays of 6,000-8,000 words. Please email proposals and bios no later than 1 August 2019. Accepted authors will be notified by September 2019 and complete essays will be due 1 August 2020. 

Valerie Schutte earned her Ph.D. in History from the University of Akron. She is author of Mary I and the Art of Book Dedications: Royal Women, Power, and Persuasion (2015). She has edited or co-edited four collections on topics such as Mary I, Shakespeare, and queenship. She has published articles on Shakespeare, royal Tudor women, and book dedications. She is currently working on a monograph on Princesses Mary and Elizabeth Tudor and is planning a large-scale project on Anne of Cleves.


























The Bulletin of the International Association for Robin Hood Studies 

















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Call for manuscripts: Studies in the History and Culture of Scotland (ed. Dr Valentina Bold)
no deadline stated 
Philip Dunshea and Peter Lang are seeking proposals for the series Studies in the History and Culture of Scotland (edited by Dr Valentina Bold of the University of Stirling).

This series presents a new reading of Scottish culture, establishing how Scots, and non-Scots, experience the devolved nation. Within the context of a rapidly changing United Kingdom and Europe, Scotland is engaged in an ongoing process of self-definition. The series will deal with this process as well as with cultural phenomena, from debates about the relative value of Gaelic-based, Scots and Anglicised culture, to period-specific definitions of Scottish identity. Orally transmitted culture - from traditional narratives to songs, customs, beliefs and material culture - will be a key consideration, along with the reconstruction of historical periods in cultural texts (visial and muscial as well as historical). Taken as a whole, the series will go some way towards achieving a new understsanding of a country with potential for development into parallel treatments of locally based phenomena. The series welcomes monographs and collected papers. 

Upcoming volumes include Virginia Blankenhorn's Tradition, Transmission, Transformation: Essays on Gaelic Poetry and Song and Peter Jupp and Hilary Grainger's Death in Scotland: Chapters from the Twelfth Century to the Twenty-First. 

Please contact commissioning editor Philip Dunshea if you would like more information on the series, or if you would like to discuss a proposal.




























Last Updated
29/6/2019